Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Master of the Legend
St Michael Fighting Demons
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ID: 92139

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Master of the Legend St Michael Fighting Demons


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Master of the Legend

active in Cologne ca 1490/1500 Austrian painter and woodcutter. He is named after two altarpiece wings with three scenes from the Legend of SS Cosmas and Damian: the Miraculous Healing of the Leg, A Husband Commending his Wife to the Saints and the Delivery of the False Message by the Devil (Vienna, Ksthist. Mus.). He is thought to have been the earliest disciple of Lucas Cranach the elder in Austria and to have been later influenced by both Albrecht Altdorfer and J?rg Breu the elder. His rather stately figures are in splayed-out, often affected poses, with the feet and knees twisted outwards, appearing almost dislocated.   Related Paintings of Master of the Legend :. | Scene from the St Lucy Legend | Ursula Announces Her Pilgrimage to the Court of Her Father (mk05) | Virgin and Child with an Angel | Lamentation | Scenes from the Life of St Ursula |
Related Artists:
Cuzco School
The Cuzco School (Escuela Cuzqueña) was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cuzco only, but spread to other cities in the Andes, as well as to present day Bolivia and Ecuador.
jeremy collier
1650 C 1726, English clergyman. Collier was imprisoned as one of the nonjurors, who refused to pledge allegiance to William III and Mary II. He later was outlawed (1696) for absolving on the scaffold two of those involved in the assassination plot against William. Collier's principal fame comes from his Short View of the Immorality and Profaneness of the English Stage (1698) and Ecclesiastical History of Great Britain (1708, 1714). In 1713 he was ordained a nonjuring bishop.
John Rogers Herbert
English historical painter and portraitist . British, 1810-1890. was an English painter who is most notable as a precursor of Pre-Raphaelitism. Herbert was born in Maldon, Essex. In 1825, he moved to London to study at the Royal Academy. His early works were influenced by the troubadour style of Richard Parkes Bonington. Subjects showed the influence of Byron and exotic episodes of Venetian history. Haydee (1834) depicted the heroine of Byron's poem Don Juan. Herbert's first major success was The Appointed Hour (1835), depicting a melodramatic scene in which a Venetian man lies murdered at the place appointed for a tryst with his lover. The work became a popular engraving. Herbert followed it with other dramatic subjects such as A Prisoner of Condottieri Freed (1836) and Desdemona asks for Cassio (1838). After he was chosen to paint a portrait of Princess Victoria, before she became queen, he became a favourite portrait painter of the aristocracy. Around this time, he came under the influence of the architect William Payne, a convert to Catholicism. In 1840, Herbert also converted to the Catholic Church. He then painted mainly religious subjects in a style influenced by the artists of the Nazarene movement. Herbert was elected to membership of the Royal Academy in 1846. Herbert's paintings The First Introduction of Christianity into Great Britain (1842) and Our Saviour Subject to his Parents in Nazareth (1847) were the inspiration for the two most important early works of William Holman Hunt and John Everett Millais, founders of Pre-Raphaelitism. The two paintings, Hunt's A Converted British Family Sheltering a Christian Missionary and Millais' Christ in the House of His Parents were exhibited at the RA in 1850 to great controversy.






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